Las óleos de todo Giuseppe de nittis
Choice ID Image  Painting (From A to Z)       Details 
54409 Breakfast in the Garden  Breakfast in the Garden   mk235 1884 Oil on canvs 81x117cm
56311 breakfast in the garden  breakfast in the garden   mk247 1884,oil on canvas,31.875x46.125 in,81x117 cm,pinacoteca giuseppe de nittis,barletta,puglia,ltaly
23110 Field of Snow n.d (nn02)  Field of Snow n.d (nn02)   Oil on canvas 21 5/8x15"
23109 In the Fields Around London (nn02)  In the Fields Around London (nn02)   Oil on canvas 17 3/4x21 5/8"
31085 La Patineuse  La Patineuse   mk71 Toile H.0.56 L.0.38 Dunkerque,Musee des Beaux-Arts
23111 Lake of thte Four Cantons (nn02)  Lake of thte Four Cantons (nn02)   1875 Oil on canvas 23 5/8x35 1/2"
74211 Oil painting Lungo l'Ofanto (1870) by Giuseppe de Nittis (1848-1884), Pinacoteca De Nittis, Barletta, Italy  Oil painting Lungo l'Ofanto (1870) by Giuseppe de Nittis (1848-1884), Pinacoteca De Nittis, Barletta, Italy   Oil painting Lungo l'Ofanto (1870) by Giuseppe de Nittis (1848-1884), Pinacoteca De Nittis, Barletta, Italy cjr
23113 On a Bench on the Champs Elysees (nn02)  On a Bench on the Champs Elysees (nn02)   c.1874 Oil on wood 12 1/4x17 1/8"
74210 Presso al lago by Giuseppe de Nittis (1848-1884) oil painting (1880), Pinacotecca De Nittis, Barletta, Italy  Presso al lago by Giuseppe de Nittis (1848-1884) oil painting (1880), Pinacotecca De Nittis, Barletta, Italy   Presso al lago by Giuseppe de Nittis (1848-1884) oil painting (1880), Pinacotecca De Nittis, Barletta, Italy cjr
11485 The Place des Pyramides  The Place des Pyramides   1875(Salon of 1876) 3' x 2' 5 1/4''(92 x 74 cm)Gift of the artist,1883
23112 Westminster (nn02)  Westminster (nn02)   c.1875 Oil on canvas 45 1/4x77 1/2"
Giuseppe de nittis
Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,



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